In Architecture: Choice or Fate, his manifesto for New Urbanism, classicist Leon Krier produced many inspirational images of urban complexity, going as far as a fractal comparison of modern and traditional buildings. The cover of the book, a fictional resort town for Tenerife, presents a fascinating case study of complex symmetry; no building is the same as another, but all share the same geometric properties. That would not be unusual had it not been an architectural manifesto.
I will, but not very often. After something grows big, there comes to be a point where you contribute more by removing things than by adding more.