Submitted by Mathieu Helie on Mon, 10/05/2009 - 21:55, last updated Mon, 04/09/2012 - 15:16
Sometime last year this website attracted the attention of several members of the International Network for Traditional Building, Architecture and Urbanism, an organization sponsored by the Prince of Wales Foundation in order to support and renew traditions of construction. While this organization does great work to preserve the techniques of traditional building cultures, they have yet to define what the traditional urbanism of their name really implies. The importance of such a definition I believe to be primordial.
Submitted by Mathieu Helie on Mon, 03/23/2009 - 07:00, last updated Sun, 11/06/2011 - 01:02
This is part I of a series of excerpts of an article to be published in the International Journal of Architectural Research entitled The Principles of Emergent Urbanism. Additional parts will be posted on this blog with the editor's permission until the complete article appears exclusively in the journal's upcoming issue.
Submitted by Mathieu Helie on Thu, 11/06/2008 - 20:37, last updated Mon, 04/09/2012 - 15:05
When did human creations stop being natural? We look at a tower block, a subdivision or a shopping mall parking lot and see the worst of industrial civilization translated into form. We tolerate them as necessary to achieve the material wealth of our civilization. Those human settlements that are still natural we grant special protections through UNESCO and historical preservation laws. We do not have a law that promotes the creation of new historic settlements because we are not quite sure how they are made.
Submitted by Mathieu Helie on Tue, 09/30/2008 - 22:29, last updated Sun, 11/06/2011 - 01:04
In Architecture: Choice or Fate, his manifesto for New Urbanism, classicist Leon Krier produced many inspirational images of urban complexity, going as far as a fractal comparison of modern and traditional buildings. The cover of the book, a fictional resort town for Tenerife, presents a fascinating case study of complex symmetry; no building is the same as another, but all share the same geometric properties. That would not be unusual had it not been an architectural manifesto.
Submitted by Mathieu Helie on Sun, 09/14/2008 - 21:22, last updated Sun, 04/08/2012 - 23:13
There are two methods for producing fractal geometry. The first method, the decomposition, is the most easily understood. In a decomposition we apply an algorithm that breaks up the geometry of some starting point into several parts. We then re-apply this algorithm to the smaller parts created, obtain many more, even smaller parts, and continue this reiteration until we have reached the complexity limit at the smallest scale of object we can possibly make. This is how an architectural design proceeds because it reflects the way that building proceeds.
Interesting observations, and in general I agree. However, I would add that another powerful part of this film is the dystopian idea that in a "dis-aggregated" world of suburban limbo, violent death is inevitable, and often emerges out of sheer boredom.
Thank you Mathieu.. I find myself lucky to come across your articles recently when i really needed knowledge about theory of emerging cities..
Its my master's project and I was going through few references when I came across this particularly..
I've been keeping your blog as a personal reference in the last two years and I'd like to congratulate and to thank you. It seems we have close interests... I was wondering if you know "The Self-Organizing Universe" by Eric Jantsch.
I appreciate the content on complexity, but I think many of the initial presumptions are unfounded, assumed, or contended. For example, when shall we assume that cities became "a normal, ordinary aspect of civilized living"?