Dubai's suburban development is often criticized for its poor taste and gigantism. While the products of Dubai megadevelopment are often crude, the engineering feats achieved in producing them are astonishing.

Recent pictures of the progress of the Burj Dubai tower, the tallest skyscraper ever built, demonstrate this contradiction in a single frame. The tower itself, while monstrously tall, is nothing very interesting. It consists of speculatively-stacked concrete floors waiting for someone to do something on them. But take a look at what is happening on the ground.

Complexity, to employ the definition proposed by Jane Jacobs in the final chapter of Death and Life of Great American Cities, is a juxtaposition of problems. This implies that a complex solution is a juxtaposition of solutions: fractal geometry.

How does the way we build arrive at complex solutions to complex problems without driving the builders to madness? How can we solve problems which exist at every scale in space, but also exist at every scale in time? Let's take a look at St. Paul's Cathedral in the City of London.

From time to time I happen upon an attempt to "do" complexity that completely misses the point. In this first installment of many "Fake Complexity" topics, the culprit is Rem Koolhaas and his CCTV Headquarters for Beijing.

If you ever find yourself speaking to an architect at a party, most likely the word transparency and the supposed need for it is going to come up over and over. This is a recent concern for the building arts. Modern architecture, traditionally, has been philosophically focused on honesty of materials, or the meaning of forms. Transparency is in a way a renunciation of architecture. Its purpose is to make the form of a building as unnoticeable as possible. Architecture just gets in the way, so making it unnoticeable is the best design choice. Nothing is the new something.