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	<title>Comments on: Complex geometry and structured chaos part II</title>
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	<link>http://emergenturbanism.com/2008/07/23/complex-geometry-and-structured-chaos-part-ii/</link>
	<description>Rediscovering urban complexity</description>
	<lastBuildDate>Thu, 29 Jul 2010 23:35:57 +0000</lastBuildDate>
	
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		<title>By: Chris B.</title>
		<link>http://emergenturbanism.com/2008/07/23/complex-geometry-and-structured-chaos-part-ii/comment-page-1/#comment-62</link>
		<dc:creator>Chris B.</dc:creator>
		<pubDate>Tue, 05 Aug 2008 20:08:40 +0000</pubDate>
		<guid isPermaLink="false">http://mathieuhelie.wordpress.com/?p=71#comment-62</guid>
		<description>&quot;When metals and glass became massively affordable in the industrial revolution, architects faced a puzzle. Although the traditions succeeded at creating complex solutions, they were no longer solutions to problems that were relevant to anyone. &quot;

Classical architecture had weathered a crisis like this before: the post-and-lintel Classicism of the Greeks was, initially, irrelevant to the vault- and arch-based architecture of the Romans. The solution was to adapt and extend the inherited patterns.

As you suggest, something similar seemed to be emerging in late-19th and early-20th century Western architecture, but was swept away by the Modernist revolution. Why? My guess is, nothing in the specific challenges facing architecture, but simply a desire for a radical break with the past - an almost universal phenomenon in the culture and politics of the time.

An excellent post, by the way.</description>
		<content:encoded><![CDATA[<p>&#8220;When metals and glass became massively affordable in the industrial revolution, architects faced a puzzle. Although the traditions succeeded at creating complex solutions, they were no longer solutions to problems that were relevant to anyone. &#8221;</p>
<p>Classical architecture had weathered a crisis like this before: the post-and-lintel Classicism of the Greeks was, initially, irrelevant to the vault- and arch-based architecture of the Romans. The solution was to adapt and extend the inherited patterns.</p>
<p>As you suggest, something similar seemed to be emerging in late-19th and early-20th century Western architecture, but was swept away by the Modernist revolution. Why? My guess is, nothing in the specific challenges facing architecture, but simply a desire for a radical break with the past &#8211; an almost universal phenomenon in the culture and politics of the time.</p>
<p>An excellent post, by the way.</p>
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		<title>By: Nikos Salingaros</title>
		<link>http://emergenturbanism.com/2008/07/23/complex-geometry-and-structured-chaos-part-ii/comment-page-1/#comment-61</link>
		<dc:creator>Nikos Salingaros</dc:creator>
		<pubDate>Mon, 28 Jul 2008 02:10:07 +0000</pubDate>
		<guid isPermaLink="false">http://mathieuhelie.wordpress.com/?p=71#comment-61</guid>
		<description>Bonjour Mathieu,

J&#039;ai trouvè ta note sur le site de John Massengale. Ton article est très bien ecrit, vraiment. Tu comprends la complexitè dans l&#039;architecture et l&#039;urbanisme.

Ecris-moi, s&#039;il te plait, pour parler à propos du boulot.

Cordiellement,
Nikos</description>
		<content:encoded><![CDATA[<p>Bonjour Mathieu,</p>
<p>J&#8217;ai trouvè ta note sur le site de John Massengale. Ton article est très bien ecrit, vraiment. Tu comprends la complexitè dans l&#8217;architecture et l&#8217;urbanisme.</p>
<p>Ecris-moi, s&#8217;il te plait, pour parler à propos du boulot.</p>
<p>Cordiellement,<br />
Nikos</p>
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